VENICE, Italy (AP) — A pair of nude feet — dirty, wounded and vulnerable — are painted on the façade of the Venice women’s prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican’s pavilion at the Venice Biennale contemporary art show in an innovative collaboration between inmates and artists.

That Cattelan is the lead artist is striking, given that his provocative life-size was figure of Pope John Paul II lying on his side, crushed by a massive meteorite, shocked Catholics when it was displayed at the 2001 Biennale. The new work, titled “Father,” is considered a thematic counterpoint to a performance piece he produced for the 1999 Biennale titled “Mother,” during which a religious ascetic was buried under sand, with only his hands clasped in prayer showing.

The Vatican’s culture minister, Cardinal Jose Tolentino de Mendonca, praised the work, which he noted recalled the naked, dirty feet of Caravaggio’s saints, while also being highly symbolic of the journey behind the Holy See’s pavilion, showing “the desire to dirty one’s feet, to show that whoever has feet has a carnality.’’